Many N9 users are still waiting to receive the PR1.1 update from Nokia, which officially began rolling out last week, but one lucky individual is already dabbling with what’s next from Espoo. After viewing the handful of screenshots, it’s obvious that PR1.2 will provide a number of enhancements for photo enthusiasts. For instance, the camera application sports a refined interface with all flash options visible at once. There’s also facial recognition in the gallery, along with support for color profiles in the display options. Additionally, users can now manage apps from the application menu, and keen-eyed observers will likely notice the re-styled buttons. We’ve also been told to expect changes to the N9′s default font, Nokia Pure Text, which we can only assume will make its arrival with PR1.2.

SOURCE via Nokia Blog

What you’re looking at was once a fully functional Canon EOS 1000D, now merely a relic of the sea (the Pacific Ocean, to be exact), which was recently posted on Google+. User Marcus Thompson, found the DSLR washed up near a wharf while on a diving job in Deep Bay British Columbia, Canada and decided to take it home to find out what could be salvaged. After removing and cleaning the SanDisk Extreme III SD card inside of it, he was successfully able to recover about 50 photos with EXIF data from August 2010, showcasing what’s described to be a firefighter and his family on vacation. Marcus asked the “Google+ hive mind” to help get the two reunited, and they did. The owner of the shooter turned coffee table decoration was successfully identified. If you’re just curious to see this DSLR from more angles — you’ll find some pictures from the SD card and more information about the camera at the source link below.

SOURCE via The Verge

Did you want in on iOS 5′s hidden panorama feature, but weren’t down with the whole jailbreak shindig? You’re in luck, because RedmondPie found a roundabout solution. All interested parties need is an iTunes backup, a little elbow grease and a program called iBackupBot. That last item will allow you to bust open your device backup, where you’ll find a preference file that needs an “EnableFirebreak” value changed from “false” to “true.” Once that’s done, a quick restore is all that stands between you and some epic panoramic vistas, bro. A full step-by-step guide awaits you at the source, just triple check that backup’s recent before you obliterate and restore, okay?

SOURCE via Redmondpie

Canon has more on the way from its newly launched EOS Movies lineup than just the C300, as shown by this new prototype DSLR. Promised to be “ideally suited for cinematographic and other digital high-resolution production applications” this camera packs a 35mm full frame image sensor capable of shooting Motion-JPEG encoded 4K video at 24fps. The press pics show it fitted with both EF 50 and new Cine 24 lenses, as Canon looks to blend the success of the 5D MK II with RED-rivaling video capabilities. The director of House shot an episode on that camera already and called it the future, which appears to be arriving sooner rather than later.

SOURCE via Engadget

Canon has just unveiled its C300 cinema camera at Hollywood’s Paramount Studios, in front of a crowd of hundreds of journalists and film industry elite, including Martin Scorsese. Canon is no stranger to the professional photography community, but it has yet to make a name for itself in Hollywood, where cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world.

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Remember the Lumix GF1? It was one of Panasonic’s first Micro Four Thirds cameras, setting the bar quite high for models to come. But the GF1′s successors — the GF2 and GF3 — did not live up to expectations, with the company gradually shifting the series towards transitioning point-and-shoot users, and away from early adopters who grew accustomed to the performance and build quality offered by that beloved early mirrorless cam. Now that familiar look and feel is back, in the form of the Lumix DMC-GX1.

The 16 megapixel ILC includes a Live MOS sensor and Venus engine, with a maximum ISO of 12,800. Like other Panasonic G-series cameras, the GX1 uses a Micro Four Thirds mount, and is compatible with both Panasonic and Olympus lenses, including the standard 14-42mm zoom that ships with the $800 kit, or the Lumix G X Vario PZ 14-42mm retractable lens that comes packaged for $950. Existing lens owners can pick up just the body for $700.

What we really missed was the solid feel of the GF1, everything from the housing to the controls felt well-made, while the design of later GF models, was… underwhelming. Picking up the GX1 helped to restore our confidence in the series, it was a pleasure to hold. There’s quite a bit of power under the hood, too.

Panasonic promises autofocus speeds of 0.09 second — you can focus simply by touching your subject on the 3-inch, 460,000-dot touchscreen. There’s also an external EVF option, which attaches to the camera’s hot shoe and offers a 1.44 million-dot display with 100-percent field of view. Movie buffs can capture 1080/60i HD video, with either MP4 or AVCHD compression. It goes without saying that the GX1 can shoot in RAW, and offers the complete gamut of advanced shooting modes.

Do you shoot 3D photos? Nope, neither do we, but Panasonic certainly seems to hope that’ll change — perhaps even as soon as next month, when its Lumix 3D1 hits store shelves… for $500. And how much camera does half a grand buy you?

Well, for starters you get not one, but a pair of 25-100mm optical zoom lenses (30-120mm in 3D mode), pumping images to dual 12.1 megapixel 1/2.3-inch sensors. Two lenses and two sensors make this pocket wonder a natural at stereoscopic 3D video, but it can also pull some pretty clever tricks with still photos.

Sure, you can shoot full-res stills and 1080i video simultaneously, but those dual zoom lenses can operate independently as well, letting you snap pics and/or video at multiple focal lengths — capture a wide-angle shot with one lens and a close-up with the other, for example.

Beyond that, expect up to 8 fps burst at full resolution, a 3.5-inch touchscreen and “dramatically clear” low-light images, even at high-ISOs (according to Panasonic).

If you envision Ice Cream Sandwich — the latest iteration of Android — as a revolutionary update that satisfies every single one of your geeky lusts, we sure hope you’ve been aching for a photo editor.

It appears that AndroidPolice has hunted down a variety of icons and logos presumed to be associated with the feature, but it’s not certain if these will actually appear in the final build. The icons hint at a smattering of image editing tools: crop, sharpen, flip, rotate and a selection of 19 possible photo effects are among the options.

Again, this is highly speculative, and rumors such as these will likely ramp up as we approach the official announcement. ‘Course, we won’t scoff at the idea of a native photo editor in Ice Cream Sandwich, but we’re sincerely hoping this won’t be the coolest thing about the new OS at Tuesday’s announcement in Hong Kong.

SOURCE via Android Police

After months of beta tests, Motorola’s ET1 tablet was finally unveiled today, bringing a taste of Android 2.3 to the enterprise market. Powered by a 1GHz dual-core CPU, this rugged slate packs 8GB of internal storage, along with a 32GB microSD card slot, and features a seven-inch, Gorilla Glass capacitive touchscreen with 1024 x 600 resolution. Weighing in at 1.4 pounds, the ET1 also boasts an eight megapixel rear camera, a front-facing shooter designed for videoconferencing and 720p video capabilities. Plus, retailers can choose to outfit the tablet with a host of accessories, including a barcode reader, magnetic stripe reader, handstrap and holster. At this point, the ET1 boasts only WiFi connectivity, though Motorola Solutions’ Sheldon Safir says a Wide Area Network version is in the works. The manufacturer didn’t offer a specific price, but Safir tells Computer World that bulk purchases should cost less than $1,000 by the time the slab hits the market, later this year.

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Full HD is so yesteryear, now everything’s going the 4K resolution. Sony has announced at the CEATEC event last week that the PS3 will get a firmware update around the beginning of 2012 that will allow it to natively output 4K stills, you know, those 4096×2160 pictures. There’s a PlayView “visual magazine” already available on the PlayStation store in Japan that supports 4K and 3D, but this update will bring super high res viewing of your vacation pics, or any other high res image files you can snag, to the living room. While your friends will no doubt be impressed by the museum-quality art gala you’re now capable of hosting this coming New Year, they’ll still be disappointed at that poor quality Full HD movie of yours.

SOURCE via Engadget